and

Borne more of out "absolute fury" than the rarest of inspirational L=A=N=G=U=A=G=E norms (if such construct exists), Inish seeks to join previous forms into a cohesive collection

What makes a good poem? The tradition, of course, is immense, and the poem must show awareness of it but not seem burdened by it. It must be pared down, without the scaffolding of narrative, description or character development that can support other poems. A good poem covers its tracks. Its movement must appear natural, even effortless. It must convince through feeling more than argument.

Inish meets these challenges with subtlety and grace. In his latest production borne more of out "absolute fury" than the rarest of inspirational L=A=N=G=U=A=G=E norms (if such construct exists), he seeks to join previous forms into a cohesive collection to arrive at a suborbital impressionistic swirl, where light meets dark and enjoys coffee at the local gathering place.