As a creative director, business owner or manager of a creative team, the chances are you already coach your people to an extent - and you may be better at it than you realise. But there's also a fair chance that you have received little support in developing your people management skills. In the creative industries, so much attention is lavished on creative 'talent' and the products of creativity that vital aspects of the creative process are often overlooked. Such as the massive influence (positive and negative) managers and creative directors have on the creativity of their teams. While many individual managers are doing an excellent job of managing and developing their teams, there is little wider recognition of people management in the creative sector. It's hard to develop a skill that goes unrecognised. And you don't need me to tell you that managing temperamental creatives can be one of the most challenging jobs going.
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In the creative industries, so much attention is lavished on creative ‘talent’ and the products of creativity that vital aspects of the creative process are often overlooked. Such as the massive influence (positive and negative) managers and creative directors have on the creativity of their teams. While many individual managers are doing an excellent job of managing and developing their teams, there is little wider recognition of people management in the creative sector.
It’s hard to develop a skill that goes unrecognised. And you don't need me to tell you that managing temperamental creatives can be one of the most challenging jobs going. So how do you meet the challenge? I'm willing to bet that you find most books on management a bit of a turn-off. You've probably left or avoided the corporate world because it's not an environment you feel comfortable with. I know how you feel. As a poet who moved from consulting for large organisations to specialising n the creative sector, I can clearly remember the day I walked into an ad agency and instantly felt at home. Call me superficial, but given the choice between cubicles and suits, or a colourful studio with electric guitars and table football on standby, I know which I prefer.
But creativity needs more than bean-bags and Playstations. And if creativity is your business, you know there's a lot more to it than 'thinking outside the box'. For one thing, you probably have to think inside a few boxes - such as the budget and brief, and your client or audience's tolerance levels. So while you need to encourage blue-sky thinking and risk-taking, you also need to make things happen on time, on budget and to keep the end users happy.
Give people too much creative freedom and they may have a blast working on the project - only to end up frustrated when the client or audience 'don't get it'. But if you play it too safe, your creatives will feel constrained and everyone will be underwhelmed by the final result. Not an easy balancing act to pull off. Even before you factor in a few creative egos. Plus the fact that creative people are not satisfied with just doing the job - they want to be challenged and inspired on every project, every day. They want opportunities to learn and hone their skills. And if they don't get them in your team, sooner or later they'll start to look elsewhere.
A lot of it comes down to what you say and do with people day-in-day out. How well you listen. What questions you ask. How you deliver tricky feedback. How well you find the right fit between people's talents and motivations and the task in hand. How easily you pick up the subtle signals that alert to you to problems before they blow up in your face. In short, how well you facilitate the idiosyncratic creative process of everyone on your team .
